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An Odd Couple? A First Glance at Chesterton and Newman (Gilbert Keith Chesterton, John Henry Newman)

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eBook details

  • Title: An Odd Couple? A First Glance at Chesterton and Newman (Gilbert Keith Chesterton, John Henry Newman)
  • Author : Logos: A Journal of Catholic Thought and Culture
  • Release Date : January 01, 2007
  • Genre: Language Arts & Disciplines,Books,Professional & Technical,Education,
  • Pages : * pages
  • Size : 231 KB

Description

I. Introduction Why are Chesterton and Newman so linked in the minds of people who know anything about either of the two figures? On the surface, a few similarities are obvious. Both came from what might be called middle-class families. The two seemed natural leaders, even as children--Newman forming his Spy Club and Chesterton, with E. C. Bentley, the famous Junior Debating Club. They were also omnivorous readers who devoured much of the classics. Though Newman's tutors claimed Newman was only a moderately good classicist, he was later regarded as quite a skilled composer of Latin. Similarly, though Chesterton's study of Latin under the famous A. E. Housman ended at the suggestion of none other than Housman, Chesterton's friend, that wild Dominican distributist, Fr. Vincent McNabb, would compare him to Thomas More: the two men, said McNabb, were cockneys whose lack of technical knowledge of the classical languages was more than made up for by an instinctual knowledge of what the words should mean. (1) Both Chesterton and Newman were Englishmen to the core who, nevertheless, found in the Roman Catholic Church--to the dismay and horror of many an Englishman--the "pillar and foundation of the truth" spoken of by St. Paul in his first letter to Timothy. Neither were the two shy about writing controversially about religion either before or after their voyages across the Tiber. Both also excelled in a variety of fields not limited to religious controversy. Much of Newman's poetry is still well regarded, his "Dream of Gerontius" likely to live on forever, not least in the musical setting given it by Edward Elgar. His hymn "Lead kindly, light" seems similarly enshrined both in the literary canons and the hymnbooks. Chesterton's poetry, still being discovered in scribbles on the backs of envelopes or published in obscure newspapers and journals, also has its gems. In an interview late in his career, Graham Greene, upon being asked what poetry he read, responded that he still went back again and again to "The Ballad of the White Horse.." (2) And of course, Newman and Chesterton both found only a modest success as novelists.


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